Sans Other Jina 5 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: headlines, branding, logos, posters, ui display, futuristic, tech, sci‑fi, sporty, industrial, tech branding, sci‑fi display, interface feel, modern signage, distinctive texture, rounded, squared, geometric, modular, stencil-like.
A geometric sans with a soft-square, rounded-corner skeleton and consistent stroke thickness. Counters are wide and rectangular-oval, with frequent horizontal cut-ins and open apertures that create a slightly stencil-like construction (notably in letters such as E, F, S, and e). Joins are smooth and engineered, with minimal contrast and an overall expanded stance; uppercase forms feel broad and stable while lowercase keeps a compact, high x-height rhythm. Several glyphs introduce angular notches and V-shaped terminals (seen in v, w, y, and some diagonals), giving the set a mechanical, modular look. Numerals follow the same rounded-rect geometry, with segmented interior breaks on figures like 2, 5, 6, 8, and 9.
Best suited to branding, logotypes, gaming or tech titling, packaging, and poster headlines where its segmented shapes and wide stance can be a feature. It can also work for UI labels, dashboards, and wayfinding-style graphics when set at comfortable sizes with generous tracking.
The tone is distinctly futuristic and utilitarian, suggesting interfaces, hardware, and motorsport-inspired graphics. Its rounded-square geometry keeps it friendly enough for display, while the cut-in terminals and segmented counters add a tactical, engineered edge.
The design appears intended to evoke a contemporary techno aesthetic through rounded-rect geometry and deliberate counter breaks, balancing smooth corners with sharp, engineered details. The goal seems to be a recognizable display voice that feels fast, modern, and machine-made without resorting to overt ornament.
The face relies on distinctive internal openings and corner radiusing for character, which reads strongly in larger sizes and headline settings. In dense text, the repeated cut-ins can become a dominant texture, so spacing and size choice will be important for clarity.