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Free for Commercial Use

Sans Superellipse Agmih 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Moris' by Katatrad, 'Frygia' by Stawix, and 'Accura' by dooType (names referenced only for comparison).

Keywords: ui text, product design, branding, signage, editorial, friendly, modern, clean, approachable, utilitarian, clarity, modernization, approachability, system consistency, legibility, rounded corners, geometric, soft terminals, even rhythm, open counters.


Free for commercial use
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A clean sans with a rounded-rectangle (superelliptical) construction that keeps curves broad and corners softened. Strokes are even and steady, with largely squared/flat terminals that are subtly rounded, giving forms a compact, controlled silhouette. Uppercase shapes feel orderly and geometric, while lowercase letters maintain simple, open structures and consistent spacing that supports a smooth reading rhythm. Numerals are straightforward and legible, matching the same softened geometry and stable proportions across the set.

This font suits interface labels, dashboards, and product typography where clarity and a contemporary tone matter. It also works well for signage and packaging that benefits from a friendly, softened geometric voice, and for editorial headings or short-to-medium text where a clean, consistent rhythm is desired.

The overall tone is modern and friendly without becoming playful, projecting a calm, practical neutrality. Its softened corners and restrained geometry give it an approachable, tech-adjacent feel that still reads as general-purpose and unpretentious.

The design appears intended to blend geometric discipline with softened edges for a contemporary, approachable sans. Its superelliptical curves and restrained detailing suggest a focus on robust legibility and a cohesive, system-friendly look across letters and numbers.

Round letters like C, G, O, and Q lean toward superelliptical bowls rather than perfect circles, reinforcing the squared-off softness throughout. Diacritics aren’t shown, but the basic punctuation in the sample reads clearly and aligns with the same rounded-terminal logic.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸