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Free for Commercial Use

Sans Superellipse Udbik 5 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Ruden' by Panatype Studio, 'Monopol' by Suitcase Type Foundry, and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, sporty, urgent, retro, assertive, energetic, space saving, high impact, motion emphasis, display clarity, branding, condensed, slanted, blocky, rounded, heavyweight.


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A dense, condensed sans with a pronounced forward slant and heavy, even stroke weight. Forms are built from rounded-rectangle geometry: bowls and counters read as softened, squarish shapes, while joins and terminals are broadly rounded rather than sharp. The proportions are tall with compact apertures and counters, giving letters a tightly packed, high-impact texture in words. Curves stay controlled and mechanical, with minimal modulation; diagonals and arches are simplified into chunky, streamlined shapes that maintain a consistent rhythm across caps, lowercase, and figures.

Best suited for display use such as headlines, posters, sports branding, and bold packaging where compact width and strong presence are advantages. It can also work for short, emphatic UI labels or signage when you want a condensed, energetic voice, but its dense counters make it less ideal for long-form reading at small sizes.

The overall tone is forceful and fast, with a sporty, poster-like energy. Its compressed, slanted stance suggests motion and urgency, while the rounded corners keep it friendly enough to feel approachable rather than aggressive. The look leans retro and utilitarian—well suited to bold, attention-grabbing messaging.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a forward-leaning stance with rounded-rectangular construction for a streamlined, athletic look. Consistent stroke weight and simplified geometry prioritize immediacy and legibility at large sizes over delicate detail.

In text settings, the tight interior spaces and condensed build create strong word silhouettes and a dark typographic color. Numerals match the letterforms’ compact, rounded-rectilinear logic, reinforcing a cohesive, display-oriented feel across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸