Print Hamek 6 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: kids, posters, packaging, invitations, social media, playful, casual, friendly, whimsical, hand-drawn, handmade feel, informal voice, playful display, human warmth, rounded, brushy, bouncy, organic, irregular.
A casual, hand-drawn print with rounded, brush-like strokes and subtly uneven outlines. Terminals often taper into small points or soft wedges, giving letters an inked, marker/brush feel rather than a geometric construction. Proportions vary from glyph to glyph, with slightly inconsistent widths and lively curvature that creates a bouncy rhythm in words. Counters are generally open and generous, and many forms lean on simplified, single-storey shapes in the lowercase for an approachable, informal texture.
This font is well suited to children’s materials, playful posters, casual packaging, greeting cards, invitations, and social graphics where a friendly hand-made feel is desirable. It can work for short to medium blocks of text when a relaxed, informal voice is the priority, and it’s especially effective for headings, callouts, and labels that benefit from a human touch.
The overall tone is cheerful and conversational, with a lighthearted, slightly quirky personality. Its uneven stroke edges and lively shapes read as human and spontaneous, suited to warm, informal messaging rather than formal branding.
The design appears intended to mimic quick, confident hand lettering in an unconnected print style—prioritizing warmth, personality, and an illustrative brush/marker impression over strict uniformity. Its variable glyph widths and tapered terminals suggest a goal of natural, drawn-in-one-pass motion and an approachable, everyday tone.
Uppercase and lowercase share a consistent hand-rendered voice, with distinctive pointed joins and tapered ends showing through in letters like K, W, X, and the diagonals of Z and 7. Numerals follow the same drawn logic, with rounded bowls (8, 9) and more gestural, simplified strokes (1, 2, 4). In longer text, the font maintains good separation between characters, though the intentionally irregular rhythm becomes a defining feature of the texture.