Sans Faceted Elpi 6 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Enamela' by K-Type and 'Monton' by Larin Type Co (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, packaging, sporty, aggressive, industrial, futuristic, tactical, impact, speed, ruggedness, modernity, compact display, angular, blocky, chamfered, faceted, slanted.
A heavy, slanted sans built from crisp straight strokes and chamfered corners, with planar facets substituting for curves across bowls, joins, and terminals. The forms are compact and vertical, with tight interior counters and strong diagonal cuts that create a chiseled silhouette. Stroke weight is consistently stout, while the geometry relies on wedges and clipped corners to keep letters open and recognizable at display sizes. Numerals and capitals share the same angular construction, producing a cohesive, high-impact texture in words and lines of text.
Best suited for display applications where a bold, high-contrast silhouette needs to hit quickly: athletic and esports identities, event posters, product packaging, and energetic digital graphics. It also works well for UI labels, scoreboards, and short navigational elements where a compact, angular voice supports a technical or performance-driven theme.
The overall tone feels fast, forceful, and engineered—closer to motorsport markings and action titling than neutral editorial typography. Its faceted construction reads as modern and tactical, with a rugged, no-nonsense energy that suggests speed and impact.
The design appears intended to deliver maximum impact with a compact footprint, using faceted geometry and clipped corners to project speed and toughness while staying legible in large, attention-grabbing settings.
Word shapes build a pronounced forward momentum from the slant and repeated diagonal cuts, creating a rhythmic pattern of notches and wedges. The design’s tight counters and sharp joins make it most comfortable in short bursts—headlines, badges, and emphatic callouts—rather than long paragraphs.