Sans Normal Abloh 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Vocal' by Ani Dimitrova, 'Altersan' by Eko Bimantara, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Stevie Sans' by Typefolio (names referenced only for comparison).
Keywords: ui, branding, signage, headlines, infographics, modern, efficient, clean, neutral, technical, emphasis, clarity, modernity, utility, motion, oblique, geometric, smooth, open apertures, rounded terminals.
This typeface is an oblique sans with a smooth, geometric construction and rounded curve transitions. Strokes stay even and steady, with clean joins and largely closed, simplified forms that read clearly at display sizes. Uppercase shapes feel compact and slightly forward-leaning, while lowercase forms are straightforward and open, with a single-storey a and g and a relatively plain, functional rhythm. Numerals are similarly streamlined, with simple curves and minimal detailing, reinforcing a consistent, contemporary texture.
It suits interface labels, dashboards, and product UI where a contemporary oblique sans is needed for emphasis without becoming decorative. The clean geometry also works well for branding systems, wayfinding, and infographic titling, and it can serve as a headline or subhead companion to a non-italic sans in longer layouts.
The overall tone is modern and matter-of-fact, with a subtle sense of speed from the consistent slant. It feels practical and editorial rather than expressive, projecting clarity and efficiency more than personality or ornament.
The design appears intended as a clear, contemporary oblique sans that adds forward motion and emphasis while preserving a restrained, highly usable skeleton. Its simplified forms and steady stroke behavior suggest a focus on consistent texture and legibility in modern graphic and digital contexts.
The forward slant is applied uniformly across caps, lowercase, and figures, creating a cohesive oblique voice. Round letters (O, Q, o) maintain smooth, even curvature, while diagonals (V, W, X, Y) keep crisp angles without introducing contrast or calligraphic modulation.