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Free for Commercial Use

Sans Faceted Lyka 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Stereohead' by Stationjack (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, sports branding, techno, industrial, arcade, futuristic, tactical, display impact, geometric utility, tech aesthetic, mechanical styling, faceted, angular, chamfered, blocky, octagonal.


Free for commercial use
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A heavy, angular sans built from straight strokes and clipped corners, replacing curves with planar facets. Letterforms read as squarish and geometric, with consistent stroke weight and frequent 45° chamfers that create an octagonal rhythm in counters and outer contours. The proportions feel compact and sturdy, with short joins and hard terminals; bowls and rounds (O, C, G, Q, 0) are constructed as faceted polygons. Lowercase echoes the same construction, with simplified, modular shapes and tight apertures that emphasize a machined, stencil-like solidity.

Best suited to short, bold statements such as headlines, posters, wordmarks, and branding where its faceted geometry can be read quickly. It also fits UI labels and on-screen graphics for games or tech themes, plus apparel and sports-style graphics that benefit from a strong, angular voice. For longer passages, it works most comfortably in larger sizes or as display text.

The font communicates a rugged, high-tech tone—part arcade display, part industrial labeling. Its sharp geometry and mechanical regularity suggest sci‑fi interfaces, robotics, and utilitarian hardware, while the bold presence gives it an assertive, game-like punch.

The design appears intended to deliver a robust geometric display sans with a faceted construction, turning traditional curves into chamfered planes for a modern, engineered look. It prioritizes impact, uniformity, and a distinctive silhouette that remains consistent across capitals, lowercase, and figures.

Distinctive chamfers and squared counters give the design a pixel-adjacent feel without being strictly grid-based. The numeral set matches the caps in weight and corner treatment, producing a cohesive, signage-like color in text. Because many shapes rely on small cut-ins and tight interior spaces, clarity improves with moderate sizing and generous tracking.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸