Sans Faceted Lyka 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Stereohead' by Stationjack (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, sports branding, techno, industrial, arcade, futuristic, tactical, display impact, geometric utility, tech aesthetic, mechanical styling, faceted, angular, chamfered, blocky, octagonal.
A heavy, angular sans built from straight strokes and clipped corners, replacing curves with planar facets. Letterforms read as squarish and geometric, with consistent stroke weight and frequent 45° chamfers that create an octagonal rhythm in counters and outer contours. The proportions feel compact and sturdy, with short joins and hard terminals; bowls and rounds (O, C, G, Q, 0) are constructed as faceted polygons. Lowercase echoes the same construction, with simplified, modular shapes and tight apertures that emphasize a machined, stencil-like solidity.
Best suited to short, bold statements such as headlines, posters, wordmarks, and branding where its faceted geometry can be read quickly. It also fits UI labels and on-screen graphics for games or tech themes, plus apparel and sports-style graphics that benefit from a strong, angular voice. For longer passages, it works most comfortably in larger sizes or as display text.
The font communicates a rugged, high-tech tone—part arcade display, part industrial labeling. Its sharp geometry and mechanical regularity suggest sci‑fi interfaces, robotics, and utilitarian hardware, while the bold presence gives it an assertive, game-like punch.
The design appears intended to deliver a robust geometric display sans with a faceted construction, turning traditional curves into chamfered planes for a modern, engineered look. It prioritizes impact, uniformity, and a distinctive silhouette that remains consistent across capitals, lowercase, and figures.
Distinctive chamfers and squared counters give the design a pixel-adjacent feel without being strictly grid-based. The numeral set matches the caps in weight and corner treatment, producing a cohesive, signage-like color in text. Because many shapes rely on small cut-ins and tight interior spaces, clarity improves with moderate sizing and generous tracking.