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Sans Contrasted Erfa 7 is a very bold, very wide, high contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, gaming ui, sports branding, techno, industrial, futuristic, arcade, assertive, sci-fi styling, impact display, technical texture, geometric rigor, octagonal, square, modular, chamfered, ink-trap hints.


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A heavy, blocky sans with a modular, squarish construction and frequent chamfered corners that create an octagonal silhouette in rounds like O and 0. Strokes are largely straight and mechanical, with sharp internal cut-ins and notched joins that introduce distinct contrast between thick stems and thinner connecting strokes. Counters are compact and often rectangular, and terminals tend to end in flat, horizontal or vertical cuts rather than curves. Spacing and widths feel engineered rather than purely geometric, giving the alphabet a tight, grid-friendly rhythm while still varying per glyph.

Best suited to display applications where its angular detailing can be appreciated: headlines, branding, packaging, game titles, and UI elements that aim for a tech or industrial feel. It also works well for signage-style compositions and short callouts where strong silhouettes and high impact are more important than extended reading comfort.

The overall tone is futuristic and machine-made, with a confident, no-nonsense presence that reads as tech-forward and slightly aggressive. Its angular cuts and notched details evoke digital hardware, arcade cabinets, and sci‑fi interface lettering, projecting speed and precision rather than warmth.

The font appears designed to deliver a bold, futuristic voice through modular geometry, chamfered corners, and purposeful notches that create contrast and a technical texture. Its construction suggests an intention to feel engineered and contemporary, optimized for impactful titles and interface-like styling.

The design leans on distinctive notches and stepped diagonals (notably in V/W/X/Y and some lowercase forms), which become a signature texture in longer lines. At smaller sizes those interior cuts can start to close up, while at display sizes they add character and help differentiate similarly shaped glyphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸