Distressed Ufro 2 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: posters, album art, packaging, streetwear, branding, energetic, edgy, handmade, expressive, rebellious, handmade feel, bold impact, gritty texture, brush lettering, display energy, brushy, scratchy, dry brush, textured, roughened.
A slanted, brush-script style with dry, textured strokes that break and feather at the edges, creating a distinctly worn, ink-on-paper feel. Strokes show strong thick–thin modulation and frequent tapering terminals, with occasional blunt, pressure-marked starts that resemble a loaded brush. Letterforms are compact and tightly fit, with lively baseline movement and variable stroke texture that adds visual grain across both uppercase and lowercase. Capitals are simplified and gestural rather than formal, while numerals follow the same brisk, handwritten rhythm with sweeping curves and sharp, tapered joins.
Best suited for short, high-impact settings such as posters, headlines, packaging callouts, album/cover art, and expressive branding where the textured brush character can be showcased. It performs especially well at display sizes on simple backgrounds, and can add a handcrafted, gritty accent for logos, social graphics, and event promotions.
The overall tone is fast, bold, and streetwise—like hand-painted signage or a quick marker-and-brush note with attitude. The rough texture and energetic slant convey urgency and personality, leaning more expressive than polished, with a slightly gritty, DIY edge.
The design appears intended to capture the immediacy of brush lettering with a deliberately distressed surface, prioritizing character and motion over pristine consistency. Its compact, slanted forms and dry texture suggest a focus on energetic display typography that feels handmade and slightly rugged.
Texture is a defining feature: counters and joins remain readable, but the dry-brush breakup introduces intentional irregularity that becomes more prominent at larger sizes. Spacing appears tight and the connected-script feel in words relies on the italic rhythm rather than true joining strokes, producing a quick, handwritten cadence with occasional dramatic swashes in capitals.