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Free for Commercial Use

Inline Ilhy 11 is a bold, very narrow, low contrast, upright, tall x-height font.

Keywords: posters, headlines, signage, logos, packaging, art deco, retro, industrial, neon, sci‑fi, space-saving display, signage styling, decorative depth, period evocation, condensed, monoline, geometric, outline, inline detail.


Free for commercial use
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A condensed, vertically oriented display face built from a sturdy outer outline with a continuous inner inline that tracks the stroke path. Forms are largely monoline in feeling, with squared shoulders, clipped corners, and occasional rounded terminals that soften the geometry. Counters are narrow and tall, curves are constructed from faceted arcs rather than fully circular bowls, and horizontals are short, giving the alphabet a compact, columnar rhythm. The inline channel is consistently inset, creating a clean double-stroke effect that stays legible even in tight interior spaces.

Best suited to display settings such as posters, headlines, signage, and brand marks where its tall, condensed footprint helps fit long titles into narrow spaces. The outlined/inline construction also works well for packaging and event graphics, especially when paired with solid fills, strokes, or light-on-dark treatments.

The overall tone reads as streamlined and period-minded, evoking vintage signage and theatrical titling with a crisp, engineered edge. Its outlined construction suggests illuminated lettering or marquee treatments, lending it a showy, poster-forward presence without becoming chaotic.

The font appears designed to deliver a compact, high-impact silhouette with built-in ornamentation, using an inset inline to create depth and a finished sign-lettered feel. Its simplified geometry and consistent detailing prioritize repeatable, modular shapes that stay visually coherent across uppercase, lowercase, and numerals.

The design relies on strong verticals and minimal crossbar length, which emphasizes height and lends words a stacked, architectural silhouette. The inline detailing adds texture and separation, so the face can hold its character in single words and short lines, while longer text benefits from generous tracking and ample size.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸