Sans Other Kokez 2 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Myriad' by Adobe, 'Mozer' by Fontfabric, 'Fact' by ParaType, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sports, energetic, handmade, sporty, retro, punchy, impact, motion, texture, display, vintage, slanted, condensed, angular, chiseled, irregular edges.
A compact, slanted sans with heavy, simplified forms and a distinctly handmade finish. Strokes stay largely uniform, while edges are slightly irregular and often taper or notch, giving many terminals a chiseled, cut-in look rather than smooth curves. Counters are tight and shapes are condensed, with rounded letters (O, C, G) rendered as firm ovals and many joins forming crisp angles. The texture is intentionally uneven in a controlled way, producing a lively rhythm across both caps and lowercase, with single-storey a and g and a sturdy, straightforward numeral set.
Best suited to display use where texture and momentum are desirable: posters, event graphics, bold headlines, and logo/wordmark applications. It can work well on packaging and apparel-style graphics, especially where a vintage or athletic tone is intended, but its tight counters and rough edges make it less ideal for long small-size reading.
The overall tone is bold and energetic, mixing an athletic, poster-like presence with a casual, hand-drawn grit. Its slant and compactness push a sense of motion, while the roughened terminals add a vintage, screenprinted personality rather than a polished corporate feel.
The design appears aimed at delivering a condensed, high-impact sans with an intentionally imperfect, carved finish. By combining a consistent heavy weight with slanted, cut terminals, it prioritizes punch and personality over neutrality, evoking sign-painting and screenprint-inspired display typography.
Uppercase forms read as sturdy display shapes with compact apertures, while lowercase maintains the same carved-terminal language for continuity. Numerals are thick and upright in construction but still carry the same angled cuts, helping them match the letterforms in headlines and short emphatic text.