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Free for Commercial Use

Sans Contrasted Otzu 11 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Interweave' by K-Type, 'Heroxy' by Kulokale, 'PODIUM Sharp' by Machalski, and 'Queency' by Vampstudio (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, authoritative, sporty, poster-ready, retro, impact, space-saving, display clarity, strong branding, condensed, blocky, squared, angular, chamfered.


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A condensed, all-caps–friendly display sans with heavy, block-like forms and crisp chamfered corners. Strokes are largely straight and planar, with subtle modulation that reads as controlled contrast rather than calligraphic movement. Counters are compact and mostly rectangular, and joints resolve into sharp, clipped terminals that create a rigid, mechanical rhythm. Lowercase follows the same squared construction, keeping a tight texture and sturdy vertical emphasis across words and lines.

Best suited for headlines, posters, and bold branding where a compact, high-impact wordshape is helpful. It fits sports and event graphics, industrial or technical labeling, and packaging that benefits from a tough, condensed presence. For longer copy, it will typically work better in short bursts—titles, pull quotes, and emphatic callouts—than in continuous reading.

The overall tone is forceful and no-nonsense, with an industrial and athletic flavor. Its compressed width and hard corners feel utilitarian and commanding, while the squared geometry adds a retro sign-painting and varsity-poster energy. The texture communicates impact and urgency more than softness or refinement.

The design appears intended to deliver maximum visual weight in minimal horizontal space, using squared geometry and chamfered terminals to create a strong, assertive voice. Its consistent, engineered construction suggests a focus on display performance and bold identification in branded or utilitarian settings.

The clipped corners and tight apertures help maintain clarity at large sizes, but the dense interior spaces and narrow proportions can make extended text feel dark and compact. Numerals match the blocky construction and read as robust, aligning well with headline and labeling contexts where uniform punch is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸