Script Itlub 2 is a regular weight, very narrow, high contrast, italic, short x-height font.
Keywords: wedding, invitations, greeting cards, branding, packaging, elegant, romantic, refined, whimsical, personal, hand-calligraphy, celebratory, signature look, decorative caps, personal tone, looped, calligraphic, monoline-to-stress, flourished, bouncy.
A flowing handwritten script with a pronounced rightward slant and strong thick–thin modulation that mimics a pointed-pen or brush rhythm. Letterforms are built from narrow, elongated ovals and tall ascenders/descenders, with compact lowercase bodies and generous vertical reach. Strokes taper into hairlines on entry/exit, with frequent loops in capitals and in letters like g, y, and j; joins are smooth and mostly continuous, while some characters show slight lift-like breaks that add a drawn-by-hand cadence. The overall texture is lively and a bit bouncy, with variable character widths and prominent, rounded terminals that keep the line from feeling rigid.
Best suited to short display text where its loops and contrast can be appreciated—wedding suites, invitations, greeting cards, boutique branding, packaging labels, and social graphics. It can work well for headings, names, and signature-style lines, while longer paragraphs may feel busy due to the narrow, high-contrast forms and decorative capitals.
The font conveys a polished, romantic tone with a touch of playful spontaneity, like neat modern calligraphy done by hand. Its flourishes and high-contrast strokes read as celebratory and personal, suited to messages meant to feel warm and crafted rather than strictly corporate.
Likely designed to emulate contemporary hand-calligraphy: elegant, narrow letterforms with energetic joins and decorative capitals that add personality. The goal appears to be a script that feels handcrafted and celebratory while remaining legible in short phrases.
Capitals are especially decorative, with looped swashes and distinctive entry strokes that can stand alone as monogram-like initials. Numerals follow the same calligraphic logic, mixing simple forms with occasional curls (notably in 2 and 9), which helps them blend naturally in informal display settings.