Sans Superellipse Ongoy 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Anodina' by Stefano Giliberti (names referenced only for comparison).
Keywords: ui, app design, branding, headlines, wayfinding, modern, techy, clean, friendly, confident, clarity, modernity, ui usability, brand distinctiveness, geometric consistency, rounded corners, square-round, geometric, even rhythm, open counters.
A crisp sans with a squared-yet-rounded skeleton: curves resolve into superellipse-like bowls and rounded-rectangle apertures, giving letters a compact, engineered feel. Strokes stay even and steady with mostly straight-sided forms and generously radiused corners rather than true circles. Curves are smooth and controlled, terminals are clean, and joins are straightforward, producing a consistent rhythm. Counters are open and legible, with notably rectangular inner shapes in letters like O, D, and Q; the Q uses a short, contained tail. Lowercase forms follow the same square-round logic (single-storey a and g), while punctuation and numerals match the same sturdy geometry.
Well-suited to user interfaces, product branding, and digital-first typography where clarity and a modern, tech-forward presence are needed. It performs particularly well in headlines, navigation labels, dashboards, and short-to-medium text where the square-round geometry can carry a distinctive, contemporary identity without sacrificing readability.
The overall tone is contemporary and functional, with a slightly futuristic, interface-oriented voice. Rounded corners soften the otherwise structured geometry, balancing precision with approachability. It reads as confident and streamlined rather than quirky or expressive.
The design appears intended to deliver a modern, system-like sans that feels engineered and consistent, using rounded-rectangle construction to create a recognizable voice across letters and figures. Its emphasis on clean terminals, even stroke behavior, and open counters suggests a focus on clarity in contemporary screens and graphic layouts.
The design leans on verticals and flat horizontals, so text blocks feel stable and aligned, with minimal calligraphic influence. Wide curves and squared bowls create strong silhouettes that hold up well in headings and signage-like applications, while the restrained detailing keeps long samples feeling orderly.