Sans Normal Koboh 6 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Pelago' by Adobe, 'Mundo Sans' and 'Quire Sans' by Monotype, 'Dederon Sans' by Suitcase Type Foundry, and 'Plusquam Sans' by Typolis (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, dynamic, contemporary, sporty, confident, friendly, motion, emphasis, modernity, clarity, impact, oblique, geometric, rounded, clean, compact.
A slanted sans with sturdy, low-contrast strokes and broadly geometric construction. Curves are smooth and generously rounded, while joins and terminals stay clean and largely sheared to match the oblique angle. Uppercase forms feel compact and stable with even stroke presence; lowercase maintains a clear, straightforward skeleton with open counters and a consistent, energetic rightward lean. Numerals follow the same robust, slightly condensed rhythm, reading clearly at display sizes.
This font is well suited to headlines, short statements, and branding systems that benefit from a sense of speed and contemporary clarity. It can work effectively for sports, fitness, and tech-forward communications, as well as packaging and promotional graphics where a strong slanted sans helps create emphasis and motion.
The overall tone is brisk and forward-moving, with an energetic, modern feel that suggests motion and momentum. Its smooth, rounded geometry keeps the voice approachable rather than sharp, balancing assertiveness with friendliness.
The design appears intended to deliver a modern, energetic sans voice with a built-in sense of movement, while keeping letterforms simple and broadly geometric for quick recognition. The consistent oblique styling suggests a focus on punchy display typography that remains clean and readable.
The italic angle is a defining feature and is carried consistently across caps, lowercase, and figures, creating a cohesive texture in longer lines. Round letters like O and Q stay clean and even, and the set reads well in heavy headline settings where the slant can do much of the stylistic work.