Script Tinup 1 is a regular weight, narrow, medium contrast, italic, very short x-height font.
Keywords: branding, packaging, invitations, greeting cards, social media, elegant, friendly, vintage, playful, romantic, approachable script, everyday elegance, compact display, warm branding, rounded, looped, smooth, bouncy, monoline-ish.
A right-leaning script with smooth, rounded strokes and gently swelling curves that suggest a pen-like, moderately contrasted construction. Forms are compact and slightly condensed, with a bouncy baseline rhythm and generous entry/exit terminals that often curl into soft hooks. Capitals are prominent and loopy with simplified swashes, while lowercase shapes stay narrow with small counters and short extenders, keeping word shapes lively but contained. Numerals follow the same cursive logic, mixing upright stems with curved shoulders for an even, hand-drawn consistency.
Well-suited for short-to-medium headlines where a handwritten, curated feel is desired—logos, boutique branding, product labels, and café/beauty packaging. It also works nicely for invitations, greeting cards, and social posts where a friendly script voice is needed; for longer passages, larger sizes will help preserve clarity.
The overall tone is personable and polished—more “neat handwriting” than high-calligraphy—balancing charm with readability. Its looping capitals and soft terminals give it a classic, slightly nostalgic feel that reads as warm and inviting rather than formal or severe.
Likely intended to offer an approachable, legible script with just enough flourish to feel special, while keeping shapes compact and consistent for practical display use. The restrained ornamentation in most lowercase forms suggests a focus on everyday usability, with decorative emphasis reserved for standout initials and title-case settings.
Spacing appears relatively tight with flowing joins and occasional near-connections between letters, emphasizing continuous movement across a line. The design maintains consistent stroke texture across upper and lowercase, with decorative details concentrated in capitals and select ascenders/descenders rather than throughout every glyph.