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Free for Commercial Use

Script Ligod 5 is a light, normal width, high contrast, italic, very short x-height font.

Keywords: invitations, wedding, branding, logotypes, headlines, elegant, romantic, formal, classic, refined, formality, ornamentation, signature feel, invitation style, luxury tone, swashy, flourished, looping, calligraphic, delicate.


Free for commercial use
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A flowing, right-slanted script with thin hairlines and pronounced contrast that gives strokes a crisp, calligraphic sparkle. Capitals are generously sized and feature extended entry strokes, open loops, and occasional underturns that create a decorative, swashed silhouette without becoming overly dense. Lowercase forms are compact with a notably low x-height, narrow counters, and long ascenders/descenders that add vertical grace; joins are smooth and the rhythm feels continuous even when letters are spaced apart. Numerals follow the same cursive logic, with rounded forms and tapered terminals that keep the texture consistent in mixed content.

This face is well suited to short-to-medium lines where flourish and formality are desirable: wedding suites, event stationery, product packaging accents, boutique branding, and logo wordmarks. It can also work for pull quotes or headings when ample size and spacing are available to preserve the delicacy of the hairlines.

The overall tone is polished and ceremonial, evoking invitations, signatures, and classic stationery. Its sweeping capitals and fine hairlines read as romantic and upscale, with a gentle sense of tradition rather than modern minimalism.

The design appears aimed at delivering a formal, calligraphy-inspired script with expressive capitals and a refined, high-contrast stroke model. It prioritizes elegance and signature-like flourish over utilitarian text economy, using a low x-height and long extenders to create a graceful, upscale profile.

The most decorative energy sits in the uppercase: broad initial strokes and looping terminals create focal points at word starts, while the lowercase maintains a more restrained cadence. Because the x-height is quite small relative to the capitals and extenders, the typeface reads best when you want contrast between headline initials and the rest of the word.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸