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Free for Commercial Use

Sans Superellipse Ubgol 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Festivo Clean' by Ahmet Altun, 'Bebas Neue Pro' by Dharma Type, 'Angela Love Sans' by Fargun Studio, and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, logos, friendly, playful, bold, retro, approachable, impact, approachability, compactness, display clarity, retro modernity, rounded, compact, soft corners, blocky, sturdy.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and softly squared curves throughout. Strokes are thick and even, with minimal modulation and consistently rounded terminals that keep counters open despite the weight. The proportions feel condensed and vertical, with simplified geometry and a steady rhythm that reads as blocky but not harsh. Lowercase forms are sturdy and slightly chunky, with round dots and tightly controlled apertures.

Best suited for headlines, posters, packaging, and branding where a compact, friendly bold voice is needed. It also works well for signage and short UI labels when large sizes are used and spacing is adjusted to preserve clarity. For long-form text, its dense color can feel heavy, so it’s most effective in display-driven layouts.

The overall tone is warm and informal, combining a robust sign-painting sturdiness with a bubbly, cartoon-adjacent softness. Its rounded corners and compact width create a friendly, confident voice that feels energetic rather than aggressive. The vibe leans retro and approachable, suited to upbeat messaging and attention-grabbing headlines.

The font appears designed to deliver maximum impact in a small footprint, using rounded-rect geometry to stay friendly while remaining highly legible at display sizes. Its simplified forms prioritize a strong silhouette and consistent weight, aiming for a modern-retro feel that’s easy to deploy across branding and promotional typography.

The design relies on superellipse-like curves and rounded corners, giving letters a molded, stamp-like finish. Large, dark shapes and short joins create a strong silhouette at a distance, while tighter internal spaces suggest it performs best when given a bit of breathing room in tracking and line spacing. Numerals match the same compact, rounded-block logic for consistent typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸