Sans Contrasted Opmo 9 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, magazine, packaging, art deco, fashion, editorial, elegant, dramatic, display impact, graphic contrast, luxury tone, deco revival, high-contrast, hairline, geometric, stylized, display.
A highly stylized, high-contrast sans with razor-thin hairlines paired against solid vertical strokes. Many letters mix filled and outlined segments, creating a distinctive cutout/half-tone feel within otherwise geometric forms. Curves are near-circular and clean, while joins stay crisp and mechanical, producing a precise, poster-like rhythm. Proportions vary noticeably across the set—some glyphs are compact and vertical while others open wider—reinforcing a display-oriented texture rather than a uniform text face.
Best suited to headlines, titles, and short bursts of text where the contrast and internal cutouts can read clearly. It works especially well for fashion editorials, boutique branding, event posters, and premium packaging. For longer passages or small sizes, the hairlines and internal detailing may require generous sizing and spacing to maintain clarity.
The overall tone is glamorous and theatrical, with a refined, fashion-forward edge. Its sharp contrast and graphic negative space read as modernist and Deco-influenced, suggesting luxury, nightlife, and curated editorial aesthetics. The font feels confident and attention-seeking rather than quiet or utilitarian.
The design appears intended to reinterpret a minimalist sans through extreme contrast and selective filled/outlined construction, turning basic geometric letterforms into striking graphic shapes. The goal seems to be strong visual signature and high-end display impact, with an emphasis on rhythm, negative space, and poster readability.
Round characters (like O/Q/0 and related lowercase bowls) emphasize the signature split between heavy fill and delicate outline, which becomes a defining motif across the alphabet. Diacritics aren’t shown, but the punctuation and numerals visible follow the same dramatic contrast, with figures that lean toward ornamental display impact over small-size robustness.