Sans Normal Mogil 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Remora Corp' by G-Type, 'Mohr' by Latinotype, 'Carl Gauss' by Mans Greback, 'Plau Redonda' by Plau, 'Kobern' by The Northern Block, and 'Boulder' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, playful, friendly, retro, chunky, punchy, high impact, approachability, retro tone, display clarity, soft corners, rounded, bulky, compact, geometric.
A heavy, rounded sans with compact proportions and generous internal curves that keep counters open despite the mass. Strokes are uniform and monolinear, with blunt terminals and softly eased corners that create a smooth silhouette rather than sharp geometry. Bowls and rounds (O, C, G, a, e) lean toward circular forms, while verticals and horizontals stay broad and steady, producing a dense, poster-like color on the page. The lowercase shows simple, sturdy constructions with a single-storey “a,” a descender-less “p” appearance in this sample set, and a prominent, round dot on “i,” reinforcing the font’s bold, friendly rhythm.
Best suited for short, high-impact settings such as headlines, posters, storefront signage, and bold branding moments where strong lettershapes are an asset. It can also work well on packaging and social graphics, especially when a friendly retro voice is desired; for long paragraphs it will feel dense and visually insistent.
The overall tone is upbeat and approachable, with a distinctly retro display flavor reminiscent of mid-century signage and playful packaging. Its chunky shapes and rounded joins feel informal and energetic, emphasizing warmth over precision.
The design appears aimed at delivering maximum presence with smooth, rounded forms—creating a bold display sans that reads quickly at large sizes while projecting an approachable, nostalgic character.
The numerals are wide and weighty, matching the letterforms’ rounded, compact look; curved figures like 8 and 9 read particularly strong and iconic. In text settings the font produces a very dark typographic color, making spacing and word shapes the main drivers of readability rather than fine detail.