Solid Movi 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Knicknack' by Great Scott, 'Hipweee' by Storictype, and 'TPG DontBlurry' by Tolstrup Pryds Graphics (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids media, stickers, playful, bubbly, quirky, cartoonish, friendly, playfulness, bold impact, novel character, soft feel, logo display, rounded, blobby, soft, organic, chunky.
A soft, blob-like display face with thick, rounded strokes and heavily simplified counters that often collapse into solid shapes. Curves dominate throughout, with teardrop terminals, bulbous joins, and an overall inflated silhouette that feels hand-formed rather than constructed. The rhythm is irregular and lively, with subtle wobble in curves and variable interior negative space that produces a dense, compact color on the page. Numerals and capitals share the same puffy geometry, favoring smooth mass and minimal detail over crisp apertures.
Works best for large-scale display typography such as posters, playful headlines, product packaging, party materials, and children’s or casual entertainment branding. It can also suit logos or badges where a soft, chunky mark is desired and the text length is short.
The font projects a cheerful, comedic tone with a toy-like warmth. Its exaggerated, squishy forms feel informal and approachable, suggesting fun, spontaneity, and a slightly mischievous character. The dense black shapes also give it a bold, punchy presence suited to attention-grabbing moments.
The design appears intended to prioritize bold personality and a “squishy” visual impact over conventional readability, using collapsed openings and rounded, organic strokes to create a distinctive novelty voice. It’s geared toward expressive, fun-forward communication where charm and immediacy matter most.
Because many counters are reduced or filled, letter recognition can rely more on silhouette than interior structure, especially in small sizes or long passages. The most successful setting tends to be short lines with generous spacing where the rounded forms can breathe.