Sans Superellipse Bomik 3 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, display titles, tech branding, posters, wayfinding, futuristic, minimal, technical, clean, airy, modernize, systematize, simplify, soften geometry, geometric, rounded, squared, open apertures, wide spacing.
This typeface is built from thin, even strokes with rounded terminals and a distinctly squarish, superelliptical geometry. Bowls and counters tend toward rounded-rectangle shapes, while curves transition smoothly into straight segments, creating a consistent, engineered rhythm. Corners are softened rather than sharp, and many forms use open, simplified construction (notably in characters like C, G, S, and e). Proportions stay balanced and legible, with clear differentiation between similar glyphs and numerals that echo the same rounded-rectilinear logic.
It performs best in display and interface contexts where a clean, futuristic voice is desired—such as UI labels, product branding, headlines, and short blocks of text. The thin stroke and open shapes suit light-on-dark or carefully controlled print and screen settings, while the distinctive rounded-rect form language can add character to signage and editorial titling.
The overall tone feels contemporary and tech-forward, with a restrained, precision-drawn look. Its light, open presence reads as calm and refined rather than expressive or loud, suggesting modern interfaces, instrumentation, and forward-looking branding.
The likely intent is to merge geometric clarity with softened, superelliptical forms to create a sleek, modern sans that feels both technical and approachable. By reducing contrast and ornament and leaning on repeated rounded-rectangle motifs, the design aims for a cohesive, system-like identity across letters and numerals.
The design language emphasizes modularity: repeated radii, consistent curvature, and straight verticals/horizontals give it a schematic quality. The sample text shows generous internal space and a high degree of uniformity across uppercase, lowercase, and figures, helping long lines feel orderly despite the stylized geometry.