Print Edrus 6 is a bold, very narrow, medium contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, album art, zines, event flyers, grunge, punk, playful, edgy, quirky, handmade feel, high impact, youthful edge, textural look, brushy, roughened, tall, angular, textured.
A tall, condensed hand-drawn print with a pronounced right-leaning slant and a strong, inky color. Strokes feel brush-painted or marker-like, with roughened edges, occasional tapering, and visible texture that suggests dry-brush pressure changes. Letterforms are simplified and somewhat angular, with irregular widths and lively spacing that creates a bouncing rhythm across lines. Counters are often narrow and partially closed, and terminals tend to end in sharp, slightly frayed flicks rather than clean cuts.
Best suited to short, attention-grabbing text such as posters, headlines, album/cover art, event flyers, and zine-style graphics where texture and attitude are desirable. It works well for branding or packaging that aims for an artisanal, gritty, or rebellious feel, but is less suited to long-form reading due to its condensed proportions and distressed detailing.
The font communicates a raw, homemade energy—equal parts mischievous and confrontational. Its scratchy texture and exaggerated slant give it a zine/poster attitude, while the uneven rhythm keeps it informal and human. Overall it reads as expressive and characterful rather than polished or restrained.
The design appears intended to emulate quick, energetic hand lettering made with a brushy marker—capturing texture, speed, and imperfection as part of the voice. Its condensed build and strong slant prioritize impact and motion, aiming to stand out in display settings while maintaining a distinctly handmade character.
At smaller sizes the distressed interior texture and tight counters can fill in, while at display sizes the dry-brush details become a key feature. The numeral set matches the same rough, hand-rendered logic, and the overall color stays consistently dark despite the intentionally uneven edges.