Sans Superellipse Gudet 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Qubo' by Hoftype; 'Interval Next' by Mostardesign; 'Core Gothic N', 'Core Sans N', and 'Core Sans NR' by S-Core; and 'Kobern' and 'Syke' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, packaging, posters, ui labels, friendly, confident, modern, playful, approachable, approachability, modernity, impact, clarity, brandability, rounded corners, soft terminals, compact fit, sturdy, geometric.
A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Curves tend toward superelliptical shapes, giving letters like C, O, and S a smooth, cushiony silhouette, while straight strokes stay clean and vertical. Counters are generous for the weight, and joins in letters like M, N, and K are sturdy and simplified, emphasizing a solid, contemporary rhythm. The overall texture is dense and even, with compact apertures and consistent stroke behavior that favors clarity over delicacy.
This font performs best in headlines, logos, and short-to-medium copy where a bold, friendly presence is desired. Its rounded geometry and sturdy forms make it a strong choice for branding, packaging, posters, and interface labels that need clear, approachable emphasis.
The tone is friendly and contemporary, combining the authority of a strong weight with the warmth of rounded forms. It feels approachable and slightly playful without becoming informal, making it well suited to upbeat, consumer-facing typography.
The design appears intended to deliver a modern geometric voice with softened edges—balancing impact and warmth. Its superelliptical rounding and simplified construction suggest an aim for consistent, contemporary letterforms that remain highly legible at display sizes.
Numerals share the same rounded, blocky logic as the letters, reading clearly and with a cohesive, geometric feel. The alphabet shows a consistent preference for softened corners and smooth, continuous curves, keeping the set visually unified at both headline sizes and in short text samples.