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Free for Commercial Use

Sans Normal Bodas 18 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Haas Unica', 'Neue Haas Unica Paneuropean', and 'Neue Helvetica eText' by Linotype; 'Nustar' by Matt Chansky; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; 'Heltar' by The Northern Block; and 'Nimbus Sans Arabic' by URW Type Foundry (names referenced only for comparison).

Keywords: ui text, branding, headlines, signage, presentations, modern, neutral, clean, friendly, professional, versatility, legibility, neutrality, system use, clarity, geometric, rounded, monoline, crisp, open.


Free for commercial use
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A clean, monoline sans with broadly geometric construction and rounded curves. The letterforms show even stroke thickness, open apertures, and smooth, circular bowls, producing a steady, contemporary rhythm in both upper- and lowercase. Terminals are generally straight and unadorned, with crisp joins and a stable baseline; counters remain generous and legible at larger text sizes. Figures are simple and consistent, matching the same straightforward, rounded-geometry logic as the alphabet.

This font suits interface labeling, product and brand systems, and general-purpose display-to-text applications where clarity and a contemporary voice are needed. It performs well for headings, short paragraphs, and signage-style copy thanks to its open counters and steady, even texture.

The overall tone is modern and neutral, with a mild friendliness coming from the rounded bowls and smooth curves. It reads as practical and straightforward rather than expressive, lending a calm, corporate-to-editorial presence.

The design appears intended as a versatile, no-nonsense sans that prioritizes legibility and consistency while keeping a gently rounded, approachable geometry. Its restrained detailing suggests it was drawn to integrate smoothly into modern layouts without drawing attention away from content.

Uppercase shapes feel compact and sturdy, while the lowercase maintains clear differentiation between similar forms (notably the open, readable e and the straightforward a). Diacritics and punctuation are not shown here, but the sample text indicates confident spacing and an even typographic color across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸