Print Etla 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio, 'Knicknack' by Great Scott, 'Otter' by Hemphill Type, 'Klop' by Invasi Studio, 'MVB Diazo' by MVB, 'Epilepsja Round' by Mikołaj Grabowski, and 'Double D NF' by Nick's Fonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, comics, kids branding, playful, bold, handmade, cheeky, casual, handmade look, bold impact, casual tone, expressive display, brushy, textured, chunky, rounded, irregular.
A chunky, heavy display face with hand-drawn construction and visibly uneven edges. Strokes read as brush- or marker-like, with rough texture, blunted terminals, and small contour wobbles that create an organic silhouette. Shapes are largely rounded with compact counters, and widths vary noticeably from glyph to glyph, giving the line a lively, informal rhythm. The overall color is dense and dark, with simplified details that keep forms sturdy at larger sizes.
Best suited for short, prominent text such as posters, headlines, stickers, and packaging where a strong, informal voice is desired. It can work well for comic-style captions, playful branding, and event promotions, especially when used at medium to large sizes where the textured edges read clearly.
The font conveys a playful, mischievous energy—friendly and approachable, but with a slightly gritty, DIY edge from the rough outlines. Its bold presence feels loud and humorous, suited to casual messages where personality matters more than refinement.
The design appears intended to mimic bold hand-painted or marker lettering with an intentionally imperfect finish. It prioritizes punchy readability and character over typographic polish, offering an expressive, casual display option for energetic messaging.
Letterforms favor simple, high-impact geometry over precision, with occasional asymmetry and small inconsistencies that reinforce the handmade feel. In longer text the texture and weight create strong visual emphasis, so spacing and line breaks become part of the look.