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Free for Commercial Use

Inverted Ehka 1 is a very bold, normal width, medium contrast, upright, tall x-height font.

Keywords: headlines, posters, packaging, labels, signage, industrial, bold, utilitarian, high-contrast, playful, graphic impact, stencil utility, signage clarity, modular system, attention grab, stencil-like, cutout, geometric, modular, compact.


Free for commercial use
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A heavy, geometric sans with squared proportions and rounded interior bowls, rendered as white cutout letterforms inside solid black, boxy counters. Strokes are consistently thick, terminals are blunt, and many joins feel engineered and modular, with occasional triangular or notched details that read like stencil breaks. The overall rhythm is tight and block-driven, with compact apertures and sturdy verticals that keep the texture dense and graphic. Numerals and lowercase follow the same cutout logic, producing strong figure/ground contrast and a uniform, tiled appearance in text.

Best suited to display settings where maximum contrast and graphic presence are desired—headlines, posters, packaging, labels, and signage. It can also work for short UI or badge-like elements when a stamped or tiled typographic effect is intentional, but the dense black blocks make it less appropriate for long-form reading.

The font projects an industrial, sign-like attitude with a bold, poster-ready punch. Its inverted cutout construction adds a playful, attention-grabbing edge, evoking labels, stamps, and hardware-marking aesthetics. The strong black blocks create a commanding, high-impact tone that feels modern and utilitarian rather than delicate.

The design appears intended to turn text into a bold, modular graphic unit by inverting the usual figure/ground relationship and emphasizing boxed silhouettes. The cutout details suggest a stencil-inspired construction aimed at robustness and quick recognition, prioritizing impact and consistency over delicate typographic nuance.

In running text, the black box containers become a dominant visual element, so spacing and line breaks read more like a sequence of tags than traditional word shapes. The most distinctive character comes from the consistent boxed silhouette and the simplified, cutout counters, which keep the design cohesive across uppercase, lowercase, and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸