Cursive Ubguz 7 is a regular weight, narrow, medium contrast, italic, very short x-height font.
Keywords: quotes, greeting cards, social media, packaging, posters, casual, friendly, personal, playful, lively, handwritten voice, casual branding, expressive display, personal messaging, brushy, loopy, bouncy, rounded, monoline-ish.
A lively handwritten script with a right-leaning, brush-pen rhythm and softly rounded stroke endings. Strokes show gentle pressure variation, producing slightly thicker downstrokes and lighter connecting movements, while maintaining an overall smooth, continuous flow. Letterforms are narrow and tall with a compact interior space, and spacing feels organic with small irregularities that reinforce the hand-drawn character. Capitals are simplified and loop-influenced, while lowercase forms alternate between connected and near-connected shapes, giving text a natural, written line quality.
This style works well for short-to-medium text where a personal voice is desired—quotes, invitations, greeting cards, and social posts. It can also add an artisanal feel to packaging accents, café menus, or small headline treatments in posters and flyers. For best results, give it generous line spacing so the tall extenders and loops have room to breathe.
The font reads as informal and approachable, like quick note-taking with a confident marker or brush pen. Its bouncy movement and looping gestures add warmth and a lightly playful tone without feeling overly ornate. Overall it conveys a personal, human touch suited to conversational messaging.
The design appears intended to capture a natural, everyday cursive look with brush-like momentum—polished enough to be consistent across a full character set, yet irregular enough to feel authentically handwritten. Its narrow, upright-to-leaning structure and looping capitals suggest an emphasis on energetic, space-efficient lettering that remains friendly and legible in display sizes.
Ascenders and descenders are prominent and add vertical energy, especially in letters like f, g, j, and y. Counters are often open or partially closed, and terminals frequently finish with tapered flicks that emphasize motion. Numerals follow the same handwritten logic, with rounded forms and occasional looped or hooked strokes that keep them consistent with the alphabet.