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Free for Commercial Use

Distressed Seda 4 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Akzidenz-Grotesk Next' by Berthold, 'EquipCondensed' by Hoftype, 'Mario' by Tipo Pèpel, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, event promo, grunge, playful, handmade, rough, quirky, add grit, evoke diy, create impact, feel handmade, chunky, textured, worn, blotchy, organic.


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A chunky, heavy display face with compact proportions and an uneven, hand-cut silhouette. Strokes are dense and mostly monoline in feel, but the contours show frequent dents, nicks, and ink-bloat-like bulges that create a mottled texture along edges and within counters. Curves are simplified and slightly squarish, terminals are blunt, and the rhythm is irregular with noticeable per-glyph variation in width and sidebearings. Counters tend to be small and sometimes partially closed by the distressed texture, giving the overall forms a stamped, weathered presence.

Best suited to short, attention-grabbing text such as posters, headlines, merchandise graphics, album artwork, and packaging where texture is a feature. It can work in branding or event promotion when a handmade, roughened voice is desired, but it is less appropriate for long-form reading or small UI sizes due to the heavy texture and tight counters.

The texture and wobble convey a casual, mischievous tone—more zine and poster than polished editorial. It reads as energetic and handmade, with a slightly rebellious, DIY attitude that adds character and a sense of rough authenticity.

The design appears intended to deliver a bold, high-impact display look with deliberate wear and irregularity, mimicking the feel of rough printing or cut-paper lettering. Its goal is to add personality and grit while keeping letterforms broadly familiar and legible at display sizes.

Uppercase and lowercase share a consistent rugged treatment, and the numerals match the same thick, cutout-like construction. The distressing is strong enough that fine details can fill in at smaller sizes, while larger sizes emphasize the rugged edge character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸