Sans Normal Ohnun 20 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Contempo Gothic' by Arkitype, 'Artegra Sans' by Artegra, 'Hurme Geometric Sans No. 3' by Hurme, and 'Manifestor' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, clean, impact, approachability, clarity, contemporary, versatility, rounded, geometric, soft-cornered, high impact, compact apertures.
A heavy, rounded sans with geometric construction and large, consistent curves. Strokes are uniformly thick with minimal modulation, and terminals are clean and blunt rather than tapered. Counters are generous but often partially closed by compact apertures (notably in forms like S, e, and a), giving a dense, poster-like texture. Uppercase proportions feel broad and stable, while the lowercase keeps a straightforward, single-storey a and g with simple, sturdy joins; numerals follow the same solid, rounded logic for an even, cohesive color in text.
Best suited to display settings where strong presence and fast recognition matter: headlines, posters, large UI labels, signage, packaging, and brand wordmarks. It can work for short blocks of copy or callouts, but its dense texture and compact apertures make it most effective at medium-to-large sizes where the rounded shapes and counters can breathe.
The overall tone is bold and approachable, with a friendly softness from the rounded geometry and an assertive presence from the heavy weight. It reads as contemporary and utilitarian, leaning toward a sporty, tech-forward or editorial headline mood rather than delicate or formal.
The design appears intended to deliver a modern, friendly geometric voice with maximum impact and clarity. Its rounded construction and consistent weight aim for a smooth, contemporary feel while maintaining strong legibility for prominent typographic moments.
Round letters (O, C, G, Q) are near-circular and smooth, while diagonals (V, W, X, Y) are wide and strongly anchored, adding a sturdy rhythm. The lowercase l and uppercase I are simple verticals, and punctuation such as the period appears as a solid dot that matches the font’s weight and visual density.