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Free for Commercial Use

Serif Other Toza 8 is a bold, normal width, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, book covers, logotypes, packaging, victorian, theatrical, eccentric, antique, storybook, decorative impact, vintage signage, engraved look, dramatic titling, flared, incised, wedge serif, high aperture, bracketless.


Free for commercial use
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This typeface presents heavy, sculpted letterforms with wedge-like, flared terminals and a distinctly carved, incised feel. Strokes are mostly robust with modest thick–thin modulation, and many joins end in sharp, triangular points rather than soft brackets. Counters are often small and dramatically shaped; several round letters use distinctive interior cut-ins that read as ornamental apertures. Proportions lean tall, with compact lowercase bowls and a lively, uneven rhythm from glyph to glyph that reinforces its display character.

Best suited to display use where its carved wedges and ornamental counters can be appreciated—posters, headlines, titles, packaging, and logo work. It can also work for short bursts of text such as pull quotes or section headers, but the strong interior detailing and dense color make it less ideal for long-form reading at small sizes.

The overall tone is theatrical and antique, evoking circus posters, Victorian-era signage, and fantasy book titling. Its sharp wedges and dramatic counter shapes create a slightly mysterious, gothic-leaning flair without becoming fully blackletter. The texture feels bold and declarative, more decorative than purely text-driven.

The design appears intended to deliver a bold, old-world display voice using flared, chiseled terminals and decorative counter treatments. Its consistent wedge vocabulary suggests a deliberate attempt to mimic engraved or cut lettering while maintaining a lively, characterful rhythm across the alphabet.

Round forms (like O/Q and related lowercase) emphasize a hallmark internal notch/eye detail that becomes a recognizable motif in setting. Uppercase shapes are assertive and somewhat condensed in feel, while the lowercase carries quirky, calligraphic-like cut-ins and occasional exaggerated terminals that increase personality at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸