Cursive Mibak 2 is a bold, very narrow, low contrast, upright, very short x-height font.
Keywords: branding, packaging, posters, social media, invitations, playful, friendly, casual, handmade, whimsical, human touch, informal voice, expressive notes, approachable branding, monoline, rounded, looping, bouncy, textured.
A lively handwritten script with monoline strokes, rounded terminals, and gently irregular curves that preserve a natural marker- or brush-pen feel. The letterforms are relatively narrow with tall ascenders and descenders, and a compact lowercase body that gives the text a vertically stretched rhythm. Connections are frequent but not rigidly continuous, with occasional breaks that enhance the hand-drawn authenticity. Capitals are simplified and upright, mixing printed structure with soft, cursive-like shaping; numerals follow the same informal, slightly uneven construction for a cohesive tone.
Well-suited to short- to medium-length text where a human, conversational voice is desired, such as branding accents, packaging callouts, posters, greeting cards, invitations, and social media graphics. It also works effectively for headings, quotes, and signage-style phrases, where its narrow, vertical rhythm can fit more characters while retaining a handmade feel.
The font conveys an approachable, upbeat personality—informal and personable rather than polished or corporate. Its bouncy proportions and looping strokes suggest creativity and warmth, reading like quick, confident handwriting used for notes, captions, and friendly signage.
The design appears intended to deliver an easygoing cursive handwriting look that stays highly legible while retaining the spontaneity of drawn lettering. Its simplified forms and consistent stroke weight aim for a reliable, repeatable “handwritten” texture across uppercase, lowercase, and numerals.
Stroke edges remain clean but intentionally imperfect, creating subtle texture and variation in counters and joins. Letter spacing appears naturally irregular, and prominent descenders (notably in letters like g, j, y, and z) add expressive movement in longer lines of text.