Sans Superellipse Ofdil 7 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Harman' by Ahmet Altun, 'Outlast' by BoxTube Labs, 'Hanley Pro' by District 62 Studio, 'Flintstock' by Hustle Supply Co, 'Moderna Condensed' by Los Andes, and 'Cartella NF' by Nick's Fonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, friendly, chunky, retro, techy, impact, approachability, simplicity, modern retro, signage, rounded corners, soft terminals, blocky, compact, geometric.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with consistently softened corners and mostly square counters. Strokes are uniform and dense, producing compact letterforms with short apertures and a sturdy baseline presence. Curves transition into straights with minimal modulation, and terminals tend to be blunt or softly squared rather than sharply cut. The figures match the alphabet’s chunky geometry, with simple, high-contrast silhouettes that stay clear at large sizes.
Best suited to headlines and display settings where its chunky geometry and rounded corners can read as intentional and distinctive. It works well for branding and packaging that needs a friendly, modern-retro presence, and for logo wordmarks that benefit from compact, sturdy shapes. In longer text, it will create a dense texture, so it performs strongest at larger sizes with generous spacing.
The overall tone is warm and approachable, with a toy-like solidity that feels upbeat rather than formal. Its rounded-square geometry adds a subtle tech and retro flavor, evoking signage, games, and product branding that aims to be bold and friendly.
The design appears intended to deliver maximum impact with soft-edged geometry—combining strong, simplified forms with rounded-square construction for a recognizable, contemporary display voice.
The lowercase shows single-storey constructions (notably the a and g), reinforcing a simplified, contemporary feel. Many glyphs lean toward closed shapes and reduced openings, emphasizing impact over airiness and giving text a dark, even color in paragraphs.