Outline Mymy 3 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, titles, packaging, futuristic, tech, sci‑fi, neon, clean, futurism, display impact, tech styling, minimalism, retro sci‑fi, monoline, rounded, geometric, double-line, open counters.
A monoline outline face drawn with a distinctive double-contour construction: a thin outer stroke paired with an inset inner line that tracks the shapes and leaves a hollow interior. Forms are geometric and softly rounded, with generous corner radii and mostly uniform stroke behavior throughout. Curves are smooth and bowl shapes are squarish-rounded, while joints and terminals tend to be clean and minimal, keeping the letterforms airy and precise. The overall spacing reads open and modern, and the figures and capitals maintain a consistent, engineered rhythm.
Best suited for display applications such as headlines, posters, product branding, and title treatments where the outline detailing can be appreciated. It can work well on dark backgrounds or in high-contrast layouts, and it pairs naturally with technology, gaming, and science-themed visuals. For long passages, its airy construction suggests using it sparingly or at larger sizes.
The font conveys a futuristic, technical tone reminiscent of UI overlays, neon tubing, and retro space-age graphics. Its hollow, line-based construction feels lightweight and electronic rather than tactile, giving text a sleek, schematic presence. The rounded geometry softens the voice, keeping it approachable while still clearly contemporary.
The design appears intended to deliver a streamlined, futuristic outline aesthetic with a signature double-line detail that adds depth without adding weight. It prioritizes a coherent geometric system and a clean rhythm across caps, lowercase, and numerals to create a consistent, high-tech display voice.
The inset line creates an internal pathway that emphasizes stroke direction and adds visual detail even at display sizes. Because the design relies on thin outlines and interior separation, the look is most effective when there is enough scale (or resolution) to preserve the gaps between contours.