Cursive Neget 3 is a regular weight, very wide, medium contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, social graphics, greeting cards, casual, playful, human, sketchy, friendly, handwritten feel, casual branding, expressive display, personal tone, marker texture, brushy, rounded, loose, irregular, bold-stroke.
A loose, hand-drawn script with thick, marker-like strokes and softly rounded terminals. Letterforms show noticeable natural variation in width and rhythm, with simplified shapes and occasional open counters that enhance a quick, written feel. The baseline is mostly steady but wavers subtly, and spacing is uneven in a deliberate, organic way. Connections appear intermittently, producing a semi-joined flow rather than consistently linked script, while overall proportions lean broad and roomy.
Works well for short to medium display copy where a personal, hand-lettered voice is desired—posters, packaging callouts, café-style signage, and social media graphics. It can also suit greeting cards and playful branding accents, especially when set with generous leading to let the irregular rhythm breathe.
The font conveys an informal, approachable tone—like handwritten notes or a quick sign made with a felt-tip pen. Its irregularities and blunt, brushy texture feel personal and lively, suggesting spontaneity more than refinement. The overall impression is upbeat and conversational, with a slightly mischievous, doodled character.
Likely designed to capture the immediacy of handwritten marker lettering—prioritizing personality, warmth, and a casual flow over strict consistency. The broad forms and textured strokes aim to feel authentic and human, suitable for friendly messaging and expressive display settings.
Distinct stroke wobble and pressure-like swelling create a textured, analog look that reads best at larger sizes. The numerals match the same hand-drawn energy, with simple, rounded construction and uneven stroke edges that keep the set cohesive. In longer text, the varying letter widths and relaxed spacing produce a strong handmade rhythm rather than a uniform typographic color.