Sans Superellipse Gemep 9 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Portlin' by Designova, 'FF Clan' by FontFont, 'Amsi Grotesk' by Stawix, 'Kircher' by Turto Studio, 'Palo' by TypeUnion, and 'Sugo Pro' by Zetafonts (names referenced only for comparison).
Keywords: sports branding, posters, headlines, apparel, packaging, sporty, assertive, dynamic, modern, industrial, compact impact, speed emphasis, modern branding, geometric consistency, condensed, rounded, superelliptic, slanted, compact.
A compact, forward-slanted sans with heavy, uniform stroke weight and tightly controlled proportions. Curves are built from rounded-rectangle/superellipse shapes, producing squarish counters in forms like O, Q, and 0, while corners remain consistently softened rather than sharp. Terminals tend to feel blunt and engineered, with minimal contrast and a steady rhythm that stays dense in text. The overall footprint is tall and compressed, with narrow widths, short apertures, and sturdy joins that favor impact over openness.
Best suited to high-impact display settings where space is tight and attention needs to be grabbed quickly—sports and fitness identities, event posters, merchandise, packaging fronts, and bold digital headers. It can work for short UI labels or navigation when used sparingly, but its dense forms are most effective in larger sizes and shorter lines.
The tone is fast, forceful, and utilitarian, with a clear emphasis on momentum from the consistent slant and compact spacing. Its rounded geometry keeps the aggression from feeling harsh, landing closer to sporty and modern than retro or ornamental.
The design appears intended to deliver maximum punch in a compact width, combining an italicized forward drive with rounded, superelliptic construction for a contemporary, engineered feel. It prioritizes strong silhouette, consistent geometry, and brandable impact in display typography.
Letterforms show a deliberate, system-like consistency: similar rounding logic across bowls, consistent internal shapes, and pragmatic diagonals that read cleanly at larger sizes. Numerals follow the same compact, squared-round construction, matching the overall voice for headlines and numeric callouts.