Print Yemed 2 is a light, very narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, labels, greeting cards, quirky, playful, handmade, whimsical, casual, handmade feel, casual display, human texture, quirky tone, bouncy, irregular, tall, spidery, lo-fi.
A tall, slender handwritten print with irregular stroke edges and lightly wobbly verticals that preserve a drawn-by-hand texture. Letterforms are mostly unconnected with simple, open counters and slightly pinched joins, giving the outlines a spidery, narrow silhouette. Round shapes (like O and o) appear a bit asymmetric, and terminals often taper or blunt abruptly, producing a lively, inconsistent finish. Spacing feels organic rather than mechanical, with small variations in width and sidebearings that enhance the natural rhythm.
Works well for short to medium display text where a casual, handmade impression is desirable—posters, headers, product labels, packaging callouts, and greeting-card style messaging. It can also add personality to quotes, invitations, or social graphics when set with generous line spacing to let the tall, narrow forms breathe.
The overall tone is quirky and approachable, like quick marker lettering on notes, labels, or a casual poster. Its uneven edges and narrow, tall stance add a slightly eccentric, storybook energy without becoming chaotic. The effect reads friendly and informal, with a gentle, handmade charm.
This design appears intended to emulate quick, hand-printed lettering with a tall, narrow presence and visible human variation. The goal seems to be an informal display face that feels personal and slightly offbeat, prioritizing character and warmth over strict geometric regularity.
Capitals keep a simple, handwritten construction and sit noticeably tall, while lowercase forms remain compact and legible with clear ascenders and descenders. Numerals are similarly hand-drawn, with straightforward shapes and mild wobble that matches the alphabet. The font’s texture is most apparent in curves and at stroke ends, where subtle roughness creates a natural, analog feel.