Sans Superellipse Jimop 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Heavy Boxing' by Vozzy (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, retro, sturdy, modular, quirky, impact, brand voice, retro feel, modular geometry, rounded, chunky, squared, compact, soft-cornered.
A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, and curves resolve into squarish bowls and counters rather than circular ones. Terminals are blunt and often slightly flared or notched, creating a sculpted, cut-in feel at joins and interior corners. The overall rhythm is tight and compact, with simplified forms and strong verticals that read clearly at display sizes.
Best suited for headlines, posters, and branding where strong, compact letterforms are an advantage. The dense superelliptic shapes and blunt terminals also work well for packaging, labels, and signage that needs a bold, industrial-leaning voice. Use with generous sizing and spacing for longer lines of text.
The tone feels sturdy and utilitarian with a retro, sign-painting and industrial-label vibe. Rounded corners keep it friendly, while the squared geometry and deep cut-ins add a slightly quirky, mechanical personality. It communicates boldness and presence more than neutrality.
Likely designed to deliver maximum visual impact through a rounded-rectangular, modular construction that stays friendly while remaining tough and mechanical. The consistent heaviness and carved-in details suggest an emphasis on distinctive display character and strong silhouette recognition.
Counters tend to be rectangular and somewhat enclosed, giving letters a dense, stamped look; this is especially noticeable in rounded glyphs and numerals. Several characters show distinctive interior notches and asymmetrical shaping (notably in diagonals and branching forms), which boosts recognizability but also makes the style intentionally idiosyncratic. In text, the strong weight and compact apertures favor headlines over small-size reading.