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Outline Nyhu 5 is a regular weight, very narrow, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, packaging, signage, art deco, retro, elegant, theatrical, high-fashion, deco revival, display impact, stylized branding, vertical elegance, monoline, inline, hairline, condensed, geometric.


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A tall, tightly condensed inline design built from hairline outlines and a consistent double-line construction that reads like a hollow, monoline skeleton. Stems are straight and parallel, terminals are clean and squared-off, and curves are drawn with long, even radii that keep counters slim and vertical. Proportions favor height over width, with narrow bowls and compressed spacing creating a stacked, architectural rhythm; rounded forms (O, C, Q, 0) remain sleek and upright, while diagonals (V, W, X) stay thin and sharply controlled. Numerals follow the same narrow, linear logic, with simplified shapes and minimal modulation.

Best suited to headlines, posters, and identity work where a slim, decorative outline can shine at larger sizes. It can be effective for logotypes, boutique packaging, menu covers, and signage that aims for a classic, upscale Art Deco flavor, especially when paired with simpler body text.

The overall tone feels distinctly vintage and display-forward, evoking Art Deco signage, theater marquees, and editorial title treatments. Its refined, wireframe presence gives it an elegant, slightly dramatic character—stylish rather than utilitarian—suited to designs that want sophistication with a retro edge.

The design appears intended as a high-impact display outline that maximizes elegance through extreme condensation and a uniform inline skeleton. Its disciplined geometry and consistent double-line structure suggest a focus on period-inspired branding and title typography where a refined, airy presence is desired.

Because the outlines are extremely light and the internal gaps are narrow, the face visually depends on sufficient size and contrast to remain clear; it performs best when given room and clean reproduction. The consistent inline construction creates a strong vertical cadence, making long words read as sleek columns rather than broad blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸