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Free for Commercial Use

Sans Rounded Rakog 4 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Northpole' by 38-lineart, 'Mesveda' by Agny Hasya Studio, 'Mollen' by Eko Bimantara, 'Helvetica' by Linotype, 'Glimp Rounded' by OneSevenPointFive, 'Core Sans AR' by S-Core, 'Femi SRF' by Stella Roberts Fonts, 'Scatio' by Wahyu and Sani Co., and 'Artico Soft' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, social media, friendly, playful, retro, casual, approachable, approachability, high impact, playful tone, modern display, rounded, soft, bouncy, chunky, informal.


Free for commercial use
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A heavy, right-slanted sans with generously rounded terminals and corners, producing a soft, cushioned silhouette. Strokes are low-contrast and uniform, with broad, slightly squarish bowls and compact counters that keep the color dense. Curves tend toward oval forms, while joins and diagonals stay smooth and simplified, giving the alphabet a cohesive, buoyant rhythm. Numerals and capitals share the same sturdy, rounded construction, and the overall spacing reads open and readable despite the weight.

This font is best suited to short-to-medium display copy where a warm, approachable voice is needed—headlines, posters, packaging callouts, brand marks, and social graphics. It can also work for subheads and pull quotes when generous sizing and spacing are available.

The tone is upbeat and personable, with a distinctly casual, almost hand-drawn energy translated into clean geometric shapes. Its rounded construction and forward lean suggest motion and friendliness, making it feel welcoming rather than formal or technical.

The design appears intended to deliver a friendly, contemporary display sans that combines strong presence with softened geometry. By pairing heavy strokes with rounded terminals and an energetic slant, it aims for attention-grabbing readability without a harsh or industrial feel.

The italic slant is consistent across capitals, lowercase, and figures, and the design relies on broad forms and softened terminals to maintain clarity at larger display sizes. The overall texture is bold and steady, with a slightly playful wobble in rhythm that keeps it from feeling rigid.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸