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Free for Commercial Use

Sans Other Pymo 7 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'Motte' by TypeClassHeroes, 'Chudesny' by Umka Type, and 'Gokan' by Valentino Vergan (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, authoritative, retro, mechanical, condensed, compact impact, industrial voice, constructed geometry, display emphasis, stencil cue, rectilinear, angular, stencil-like, monolinear, high-impact.


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A tightly packed, rectilinear sans with heavy vertical emphasis and squared terminals. Counters are narrow and often formed as slim vertical slots, producing a stencil-like, cut-out look in letters such as A, O, and R. Curves are minimized or faceted into straight segments, with crisp corners and a consistently rigid rhythm; several glyphs show stepped or notched joins that reinforce a machined, constructed feel. Numerals follow the same condensed, blocky logic, with simple, geometric forms and minimal internal space.

Best suited for display settings where impact and a compact footprint are priorities, such as posters, headlines, logos, product marks, and industrial-style signage. It can also work for short subheads or labels where a dense, architectural texture is desirable, but the tight counters make it less comfortable for long passages of small text.

The overall tone is stern and utilitarian, with a strong poster-and-signage attitude. Its compressed, high-impact shapes suggest industrial labeling and retro display typography, projecting control, toughness, and a slightly militaristic edge.

The font appears designed to maximize presence in a condensed silhouette while maintaining a consistent, constructed geometry. Its slot-like counters and squared terminals read as an intentional industrial/stencil cue, aiming for a bold, engineered voice that remains visually distinctive in all-caps and short lines.

The design relies on bold mass and narrow apertures, so internal whitespace is a key stylistic device rather than a legibility aid at small sizes. The narrow interior slots and squared geometry create a distinctive texture in text, where vertical strokes dominate and the baseline rhythm feels tightly engineered.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸