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Free for Commercial Use

Sans Other Pymo 7 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Stallman Round' by Par Défaut, 'Motte' by TypeClassHeroes, 'Chudesny' by Umka Type, and 'Gokan' by Valentino Vergan (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, industrial, authoritative, retro, mechanical, condensed, compact impact, industrial voice, constructed geometry, display emphasis, stencil cue, rectilinear, angular, stencil-like, monolinear, high-impact.


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A tightly packed, rectilinear sans with heavy vertical emphasis and squared terminals. Counters are narrow and often formed as slim vertical slots, producing a stencil-like, cut-out look in letters such as A, O, and R. Curves are minimized or faceted into straight segments, with crisp corners and a consistently rigid rhythm; several glyphs show stepped or notched joins that reinforce a machined, constructed feel. Numerals follow the same condensed, blocky logic, with simple, geometric forms and minimal internal space.

Best suited for display settings where impact and a compact footprint are priorities, such as posters, headlines, logos, product marks, and industrial-style signage. It can also work for short subheads or labels where a dense, architectural texture is desirable, but the tight counters make it less comfortable for long passages of small text.

The overall tone is stern and utilitarian, with a strong poster-and-signage attitude. Its compressed, high-impact shapes suggest industrial labeling and retro display typography, projecting control, toughness, and a slightly militaristic edge.

The font appears designed to maximize presence in a condensed silhouette while maintaining a consistent, constructed geometry. Its slot-like counters and squared terminals read as an intentional industrial/stencil cue, aiming for a bold, engineered voice that remains visually distinctive in all-caps and short lines.

The design relies on bold mass and narrow apertures, so internal whitespace is a key stylistic device rather than a legibility aid at small sizes. The narrow interior slots and squared geometry create a distinctive texture in text, where vertical strokes dominate and the baseline rhythm feels tightly engineered.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸