Print Fomib 2 is a regular weight, normal width, high contrast, reverse italic, short x-height font.
Keywords: posters, headlines, packaging, book covers, album art, hand-drawn, quirky, gritty, casual, expressive, handmade feel, expressive display, brush texture, casual tone, brushy, ragged, uneven, angular, textured.
A lively hand-drawn print with brush-pen construction and noticeably uneven stroke edges. Letterforms are mostly unconnected and slightly reverse-slanted, with variable character widths and irregular proportions that create a loose rhythm. Strokes show high contrast between thick downstrokes and thinner connecting marks, with occasional tapered ends and blunt terminals. Counters are often open or loosely formed, and curves feel slightly angular, reinforcing a rough, sketched texture.
Best suited to short-to-medium display text where its brush texture and irregular rhythm can be appreciated—such as posters, covers, packaging, and branding accents. It can work well for titles, quotes, or callouts that benefit from a handmade, slightly rough aesthetic, while extended small-size body text may feel busy due to the high contrast and uneven detailing.
The overall tone is informal and expressive, with a quirky, slightly gritty character that feels human and spontaneous rather than polished. Its uneven baseline and ragged brush texture give it an energetic, handmade presence that can read as playful, offbeat, or a bit dramatic depending on setting.
This design appears intended to mimic quick brush lettering in an unconnected print style, prioritizing personality and movement over strict consistency. The reverse slant, variable widths, and textured strokes suggest a deliberate attempt to preserve the spontaneity of hand rendering and create an expressive display voice.
Uppercase shapes tend to feel more emphatic and gestural, while lowercase remains compact with a comparatively small x-height, increasing the handwritten charm but reducing fine-size clarity. The texture and contrast are most visible in rounded forms and long strokes, where ink-like pooling and thinning create a natural, drawn look.