Stencil Gyhi 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'FX Neofara' by Differentialtype, 'Danger Neue' by Green Type, 'Helvegen' by Ironbird Creative, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Kairos Sans' by Monotype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, labels, industrial, authoritative, utilitarian, vintage, tactical, stencil marking, industrial voice, strong impact, retro utility, angular, condensed, high-contrast, chiseled, mechanical.
A condensed, all-caps–leaning stencil face with tall proportions and a strong vertical rhythm. Strokes are largely even in weight, with crisp, angular terminals and frequent chamfered corners that create a cut, machined feel. Distinct stencil breaks appear consistently across curves and joins (notably in rounded forms and diagonals), producing clear bridges and open counters. The overall texture is dark and steady, with tight internal spacing and squared-off geometry that keeps the letterforms compact and disciplined.
Best suited to display work such as posters, headlines, signage, packaging, and labeling where a strong stencil impression is desired. It performs well for short-to-medium lines of text at larger sizes, especially in contexts that benefit from an industrial or tactical aesthetic.
The design reads as industrial and no-nonsense, evoking military marking, workshop labeling, and retro machinery. Its sharp angles and deliberate breaks add a sense of toughness and control, while the condensed build keeps the tone focused and commanding.
This font appears designed to deliver a durable stencil look with consistent bridges and compact, vertical proportions, prioritizing impact and visual uniformity over softness or calligraphic detail. The angular, machined construction suggests an intention to reference stamped or cut lettering used for practical identification and bold graphic communication.
Uppercase forms dominate visually, with geometric, often octagonal rounding in letters like C, O, and Q. Numerals follow the same cut-corner and bridged logic, giving them a consistent, sign-paint/stencil system feel. In text, the repeated bridges create a patterned cadence that becomes a defining part of the voice.