Sans Other Tunav 7 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: branding, headlines, posters, ui titling, packaging, futuristic, minimalist, playful, airy, technical, distinctive sans, futurist tone, geometric system, display clarity, minimal styling, rounded, geometric, open counters, wide spacing, single-storey.
A rounded geometric sans with an ultra-clean, monoline construction and generous corner radii. Forms are built from long verticals and smooth arcs, producing open bowls and soft terminals with little contrast or modulation. Several glyphs use simplified, nearly schematic structures (notably the angular Z, the high-waisted S, and the distinctive loop-and-stem figures in numerals like 2, 3, and 9), giving the alphabet a consistent, designed-system feel. Spacing reads on the loose side in text, reinforcing the light, airy rhythm and keeping joins and counters from clogging at smaller sizes.
Best suited to branding, headlines, and short UI or product titling where its rounded, futuristic character can be a feature. It also works well for posters, packaging, and tech-leaning editorial moments that benefit from an airy, minimal aesthetic. For extended body text, it will read most comfortably at moderate sizes where the open forms and spacing can do their job.
The overall tone is modern and slightly sci‑fi, combining friendly rounded geometry with a precise, engineered restraint. It feels contemporary and experimental rather than neutral, with a playful edge that comes from its unconventional letter constructions and soft, continuous curves.
The font appears designed to reinterpret a standard sans skeleton through a rounded, geometric system that feels contemporary and slightly speculative. Its simplified strokes and distinctive constructions suggest an intention to prioritize personality and visual cohesion over traditional book typography conventions.
The design leans on open apertures and minimal cross-strokes, which keeps word shapes distinctive but also makes the font more characteristic than strictly utilitarian. Numerals and a few capitals stand out as display-oriented, matching the alphabet’s rounded-arc logic and emphasizing a cohesive, system-like styling.