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Inline Pago 9 is a bold, wide, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, logos, signage, packaging, art deco, glamorous, theatrical, vintage, geometric, decorative impact, period styling, engraved effect, brand signature, inline detail, engraved, monoline cuts, display, high contrast.


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A stylized display face built from heavy, geometric letterforms interrupted by a consistent inline “carved” channel that runs through stems, bowls, and diagonals. Curves are largely circular and symmetrical, while many straight strokes terminate in crisp, squared ends; the overall construction alternates between solid masses and thin cut lines for a sculpted, inlaid effect. Proportions feel expansive with broad capitals and a relatively tall lowercase, and several letters introduce sharp, angular joins (notably in M/W/V forms) that heighten the graphic rhythm. The numerals and punctuation continue the same motif, mixing compact counters with pronounced verticals and clean, poster-like silhouettes.

Best suited for large-size applications where the inline carving can be clearly resolved: headlines, posters, event branding, storefront or wayfinding-style signage, and logo or wordmark work. It can also add a period-flavored accent to packaging and editorial display lines, especially when paired with simpler body text.

The inline carving and strong black shapes create a dramatic, decorative tone associated with classic nightlife, marquee titles, and early-20th-century glamour. It reads as confident and performative, with a refined ornamental edge that suggests signage, packaging, and period-inspired titling rather than utilitarian text.

The design appears intended to deliver an immediately recognizable, decorative signature through a consistent inline cut that suggests engraving or inlay. Its goal is visual impact and stylistic atmosphere—prioritizing bold silhouette, rhythmic striping, and geometric coherence for display-driven typography.

The cut-in inline is treated as a structural design element rather than a simple highlight, frequently bisecting strokes and counters to create a distinctive striped cadence across words. The design leans on symmetry and repetition, giving it a cohesive, architectural feel in longer settings, while the sharp diagonal constructions add energy and variation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸