Print Eblom 1 is a light, narrow, medium contrast, italic, short x-height font.
Keywords: packaging, posters, greeting cards, social graphics, craft branding, casual, friendly, playful, handmade, approachable, handwritten feel, informal voice, human warmth, casual display, monoline, dry brush, loose, bouncy, irregular.
A casual handwritten print with a lightly textured, dry-brush feel and subtly tapering stroke ends. The letters lean gently and keep an open, airy structure with variable character widths and uneven sidebearings that create a lively rhythm. Curves are slightly wobbly and organic, while verticals stay relatively straight, giving the set a legible but intentionally unrefined look. Terminals are mostly blunt or softly hooked, and round forms (like O, C, e) are drawn with relaxed, imperfect circles rather than geometric precision.
Works well for packaging, labels, and posters where a handmade, friendly voice is desired. It fits greeting cards, invitations, social media graphics, and craft or boutique branding, especially for headlines, short blurbs, and pull quotes. For best results, use at moderate-to-large sizes where the textured strokes and organic spacing can read as intentional character.
The overall tone is informal and personable, like quick marker notes or hand-lettered captions. Its slight slant, bouncy spacing, and imperfect outlines add warmth and spontaneity, reading more playful than formal. The texture and rhythm suggest a human touch, suitable for upbeat, conversational messaging.
The design appears intended to capture quick, natural handwriting in an unconnected print style, prioritizing warmth and personality over strict uniformity. Its slightly slanted stance, dry-brush texture, and bouncy rhythm suggest a font meant to add an authentic, human note to contemporary casual design.
Capitals are tall and simple, with clear, open counters and minimal ornamentation; several forms show subtle entry/exit hooks that reinforce the hand-drawn motion. Numerals match the same loose construction, with an especially handwritten feel in the curved figures (2, 3, 5, 8, 9). In longer text, the irregular spacing and stroke wobble become part of the style, favoring display and short passages over dense, small-size setting.