Print Egror 2 is a bold, narrow, low contrast, italic, normal x-height font.
Keywords: posters, headlines, sports branding, packaging, apparel graphics, energetic, casual, sporty, punchy, youthful, handmade impact, fast lettering, dynamic tone, headline punch, brushy, angular, rugged, slanted, high-energy.
A slanted, brush-drawn print style with compact proportions and a lively, uneven rhythm. Strokes are thick and largely uniform, with chiseled, angular terminals and occasional wedge-like joins that suggest a fast marker or dry brush. The letterforms lean forward consistently, with slightly irregular contours and stroke edges that add texture and hand-made character. Counters are kept fairly tight and forms are simplified for impact, producing a strong, poster-friendly silhouette across both uppercase and lowercase, with figures matching the same brisk, hand-rendered logic.
Best suited to short, high-impact settings such as posters, headlines, event flyers, sports or fitness branding, and apparel or sticker-style graphics. It also works well for packaging callouts and energetic social media graphics where a hand-painted voice is desired. For longer passages, it’s most effective at larger sizes where its texture and tight counters can breathe.
The font conveys motion and immediacy, like quick headline lettering made with a confident hand. Its forward slant and punchy shapes feel sporty and streetwise, reading as informal, upbeat, and attention-seeking rather than refined or quiet. Overall it gives an energetic, action-oriented tone suited to dynamic messaging.
The design appears intended to mimic quick, assertive brush lettering in an unconnected print form, prioritizing speed, personality, and visual punch over precision. Its consistent forward lean and chunky, angular stroke endings aim to deliver a dynamic headline style that feels hand-made and contemporary.
Uppercase shapes remain fairly compact while the lowercase introduces more bounce and idiosyncratic turns, reinforcing an informal handwritten cadence. The texture comes from tapered starts/finishes and slightly ragged edges rather than strong thick–thin modulation, keeping the color dense and consistent in lines of text.