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Free for Commercial Use

Sans Normal Anluv 2 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Croih' by 38-lineart, 'Averta PE' by Intelligent Design, 'Madani' and 'Madani Arabic' by NamelaType, and 'Gilroy' by Radomir Tinkov (names referenced only for comparison).

Keywords: ui text, branding, signage, editorial, presentations, clean, modern, neutral, friendly, functional, versatility, clarity, neutrality, modernity, geometric, rounded, open counters, high legibility, low contrast.


Free for commercial use
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This typeface is a clean sans with geometric, rounded construction and consistent stroke thickness. Curves are smooth and circular (notably in O/C/G), while joins and terminals are crisp and unadorned, giving a straightforward silhouette. Proportions feel balanced with open apertures and generous counters; the lowercase shows a single-storey a and g, and a compact, readable rhythm. Numerals are simple and sturdy, matching the letterforms in weight and curvature for an even texture in mixed alphanumeric settings.

It performs well for interface labels, product copy, and general-purpose brand systems where clean geometry and steady texture are priorities. The open counters and uncomplicated forms also suit signage and wayfinding at moderate sizes, as well as editorial subheads and presentation typography that needs to stay crisp and neutral.

The overall tone is contemporary and matter-of-fact, with a mildly friendly feel driven by its rounded geometry. It reads as approachable rather than expressive, aiming for clarity and consistency over personality. The result is a dependable, modern voice suitable for everyday communication.

The design intention appears to be a versatile, modern sans built for clarity across a range of everyday contexts. Its geometric foundation and restrained detailing suggest a focus on consistent rhythm, easy scanning, and a broadly compatible visual tone.

Spacing appears even and disciplined, producing a stable gray value in paragraph text. Uppercase forms lean toward geometric clarity, while the lowercase adds softness through round bowls and uncomplicated shapes, keeping the overall impression practical and legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸