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Free for Commercial Use

Inverted Ehwa 7 is a very bold, narrow, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, album covers, game ui, futuristic, techno, industrial, experimental, modular, attention-grabbing, tech aesthetic, graphic texture, experimental display, geometric, stencil-like, rectilinear, cut-out, display.


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A rectilinear, modular display face built from heavy vertical blocks with crisp, geometric cut-outs that define the counters and bowls. The overall silhouette reads as tall and condensed, while interior negative shapes (often circular or semicircular) create an inverted, hollowed look with sharp, high-contrast junctions. Stems are mostly straight and monolinear in feel, with occasional thin connector strokes and abrupt terminals that reinforce a constructed, stencil-like rhythm. The alphabet maintains a consistent grid logic, with rounded interior apertures providing the primary soft counterpoint to the otherwise hard-edged geometry.

Best suited to display contexts such as posters, headlines, branding marks, and short, punchy titling where its distinctive inverted cut-outs can be appreciated. It also fits digital themes—game UI, tech events, and sci-fi or industrial packaging—where a modular, constructed texture supports the concept.

The font conveys a futuristic, engineered tone—more machine-assembled than hand-drawn. Its inverted cut-outs and modular spacing evoke techno signage, sci-fi interfaces, and industrial labeling, giving text an assertive, slightly cryptic presence.

The design appears intended to explore an inverted, hollowed construction within a strict geometric grid, prioritizing visual identity and texture over conventional readability. By combining blocky outer forms with circular interior apertures and occasional stencil breaks, it aims to deliver a bold, techno-industrial voice for attention-grabbing display typography.

Legibility is intentionally stylized: letters rely on internal voids and notches rather than traditional stroke modulation, so the design reads best at larger sizes where the cut-outs and interior shapes remain distinct. The texture in paragraphs is strongly patterned and rhythmic, with repeated vertical slabs producing a barcode-like cadence across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸