Inline Revo 3 is a very bold, very wide, very high contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, esports, packaging, futuristic, tech, sporty, arcade, industrial, impact, sci-fi styling, dimensionality, brand recall, technical feel, rounded corners, ink traps, chamfered, inset line, outlined.
A heavy, wide sans with squared forms softened by rounded corners and subtle chamfers. Strokes are constructed as solid outer shapes with a continuous inline cut running through many characters, creating a beveled, engineered look and strong internal rhythm. Counters are compact and often rectangular, terminals are blunt, and several joins show small notch-like details that read like ink traps or machined joints. The lowercase maintains a large x-height with simplified, single-storey forms and short ascenders/descenders, keeping texture dense and uniform in lines of text.
Best suited for display applications such as branding, logotypes, game titles, esports graphics, posters, and bold packaging where the carved inline detail can be appreciated. It also fits UI-like headings, product badges, and industrial or automotive-themed layouts that benefit from a strong, engineered texture.
The overall tone feels futuristic and mechanical, with an arcade/sci‑fi flavor and a sporty, performance-oriented edge. The inline carving adds a sense of speed and manufactured precision, suggesting hardware, vehicles, or digital interfaces rather than traditional editorial typography.
The design appears intended to deliver maximum impact with a distinctive inline cut that adds dimensionality without resorting to gradients or effects. Its wide stance, compact counters, and squared-rounded geometry prioritize a futuristic, machine-made aesthetic that stays consistent across caps, lowercase, and numerals.
The inline treatment remains consistent across letters and numerals, producing a distinctive stripe that stays legible at display sizes but can visually thicken and crowd the counters as size decreases. Round letters like O and C skew toward squarish geometry, while diagonals (A, V, W, X, Y) emphasize sharp, technical angles within the softened outer silhouette.